𝗘𝘀𝘁𝗮 𝗲́ 𝘂𝗺𝗮 𝗽𝗲𝗰̧𝗮 𝗾𝘂𝗲 𝘂𝘁𝗶𝗹𝗶𝘇𝗮 𝗼 𝗵𝘂𝗺𝗼𝗿 𝗰𝗼𝗺𝗼 𝗮𝗿𝗺𝗮 𝗻𝘂𝗺𝗮 𝘃𝗶𝗮𝗴𝗲𝗺 𝗲𝗻𝘁𝗿𝗲 𝗮 𝗮𝘂𝘁𝗼𝗯𝗶𝗼𝗴𝗿𝗮𝗳𝗶𝗮 𝗲 𝗮 𝗳𝗶𝗰𝗰̧𝗮̃𝗼.

𝘈 𝘱𝘢𝘳𝘵𝘪𝘳 𝘥𝘦 𝘶𝘮𝘢 𝘱𝘦𝘳𝘴𝘱𝘦𝘵𝘪𝘷𝘢 𝘱𝘦𝘴𝘴𝘰𝘢𝘭, 𝘊𝘢𝘭𝘭𝘦 𝘧𝘢𝘭𝘢 𝘥𝘦 𝘲𝘶𝘦𝘴𝘵𝘰̃𝘦𝘴 𝘵𝘢̃𝘰 𝘶𝘯𝘪𝘷𝘦𝘳𝘴𝘢𝘪𝘴 𝘤𝘰𝘮𝘰 𝘢 𝘰𝘱𝘳𝘦𝘴𝘴𝘢̃𝘰 𝘱𝘢𝘵𝘳𝘪𝘢𝘳𝘤𝘢𝘭, 𝘢 𝘭𝘰𝘶𝘤𝘶𝘳𝘢, 𝘢 𝘓𝘎𝘛𝘉𝘧𝘰𝘣𝘪𝘢, 𝘢 𝘮𝘢𝘵𝘦𝘳𝘯𝘪𝘥𝘢𝘥𝘦 𝘯𝘢̃𝘰 𝘩𝘦𝘵𝘦𝘳𝘰𝘯𝘰𝘳𝘮𝘢𝘵𝘪𝘷𝘢, 𝘢 𝘱𝘳𝘦𝘤𝘢𝘳𝘪𝘦𝘥𝘢𝘥𝘦, 𝘢 𝘭𝘶𝘵𝘢 𝘤𝘰𝘯𝘵𝘳𝘢 𝘢 𝘷𝘪𝘰𝘭𝘦̂𝘯𝘤𝘪𝘢 𝘴𝘦𝘹𝘶𝘢𝘭 𝘮𝘢𝘴 𝘵𝘢𝘮𝘣𝘦́𝘮 𝘴𝘰𝘣𝘳𝘦 𝘰𝘴 𝘱𝘳𝘪𝘷𝘪𝘭𝘦́𝘨𝘪𝘰𝘴 𝘲𝘶𝘦 𝘯𝘢̃𝘰 𝘴𝘢̃𝘰 𝘯𝘰𝘮𝘦𝘢𝘥𝘰𝘴.

𝘗𝘢𝘳𝘦𝘤𝘦 𝘶𝘮 𝘮𝘰𝘯𝘰́𝘭𝘰𝘨𝘰 𝘵𝘦𝘢𝘵𝘳𝘢𝘭 𝘱𝘰́𝘴-𝘥𝘳𝘢𝘮𝘢́𝘵𝘪𝘤𝘰, 𝘮𝘢𝘴 𝘯𝘢̃𝘰 𝘦́ 𝘣𝘦𝘮, 𝘦𝘮𝘣𝘰𝘳𝘢 𝘵𝘦𝘯𝘩𝘢 𝘢𝘭𝘨𝘰 𝘢 𝘷𝘦𝘳.

𝘗𝘢𝘳𝘦𝘤𝘦 𝘶𝘮 𝘮𝘢𝘯𝘪𝘧𝘦𝘴𝘵𝘰, 𝘮𝘢𝘴 𝘯𝘢̃𝘰 𝘦́ 𝘣𝘦𝘮, 𝘦𝘮𝘣𝘰𝘳𝘢 𝘵𝘦𝘯𝘩𝘢 𝘢𝘭𝘨𝘰 𝘢 𝘷𝘦𝘳.

𝘗𝘢𝘳𝘦𝘤𝘦 𝘶𝘮𝘢 𝘴𝘦𝘴𝘴𝘢̃𝘰 𝘥𝘦 𝘵𝘦𝘳𝘢𝘱𝘪𝘢, 𝘮𝘢𝘴 𝘯𝘢̃𝘰 𝘦́ 𝘣𝘦𝘮, 𝘦𝘮𝘣𝘰𝘳𝘢 𝘵𝘦𝘯𝘩𝘢 𝘢𝘭𝘨𝘰 𝘢 𝘷𝘦𝘳.

𝘗𝘢𝘳𝘦𝘤𝘦 𝘶𝘮𝘢 𝘱𝘦𝘤̧𝘢 𝘤𝘰́𝘮𝘪𝘤𝘢, 𝘮𝘢𝘴 𝘯𝘢̃𝘰 𝘦́ 𝘣𝘦𝘮, 𝘦𝘮𝘣𝘰𝘳𝘢 𝘵𝘦𝘯𝘩𝘢 𝘢𝘭𝘨𝘰 𝘢 𝘷𝘦𝘳.

𝘗𝘢𝘳𝘦𝘤𝘦 𝘶𝘮𝘢 𝘯𝘢𝘳𝘳𝘢𝘵𝘪𝘷𝘢 𝘢𝘶𝘵𝘰𝘣𝘪𝘰𝘨𝘳𝘢́𝘧𝘪𝘤𝘢, 𝘮𝘢𝘴 𝘯𝘢̃𝘰 𝘦́ 𝘣𝘦𝘮, 𝘦𝘮𝘣𝘰𝘳𝘢 𝘵𝘦𝘯𝘩𝘢 𝘢𝘭𝘨𝘰 𝘢 𝘷𝘦𝘳.

𝘗𝘢𝘳𝘦𝘤𝘦 𝘶𝘮 𝘦𝘴𝘱𝘦𝘵𝘢́𝘤𝘶𝘭𝘰 𝘥𝘦 𝘴𝘵𝘢𝘯𝘥-𝘶𝘱 𝘤𝘰𝘮𝘦𝘥𝘺, 𝘮𝘢𝘴 𝘯𝘢̃𝘰 𝘦́ 𝘣𝘦𝘮, 𝘦𝘮𝘣𝘰𝘳𝘢 𝘵𝘦𝘯𝘩𝘢 𝘢𝘭𝘨𝘰 𝘢 𝘷𝘦𝘳.

𝘗𝘢𝘳𝘦𝘤𝘦 𝘶𝘮𝘢 𝘧𝘦𝘴𝘵𝘢, 𝘮𝘢𝘴 𝘯𝘢̃𝘰 𝘦́ 𝘣𝘦𝘮, 𝘦𝘮𝘣𝘰𝘳𝘢 𝘵𝘦𝘯𝘩𝘢 𝘱𝘢𝘳𝘦𝘤𝘦𝘯𝘤̧𝘢𝘴.

𝘗𝘢𝘳𝘦𝘤𝘦 𝘶𝘮𝘢 𝘵𝘦𝘭𝘦𝘯𝘰𝘷𝘦𝘭𝘢, 𝘮𝘢𝘴 𝘯𝘢̃𝘰 𝘦́ 𝘣𝘦𝘮, 𝘦𝘮𝘣𝘰𝘳𝘢 𝘵𝘦𝘯𝘩𝘢 𝘶𝘮 𝘲𝘶𝘦̂ 𝘥𝘪𝘴𝘴𝘰.

𝘌𝘴𝘵𝘢 𝘱𝘦𝘤̧𝘢 𝘪𝘳𝘢́ 𝘳𝘦𝘷𝘦𝘭𝘢𝘯𝘥𝘰, 𝘢𝘵𝘳𝘢𝘷𝘦́𝘴 𝘥𝘦 𝘶𝘮 𝘤𝘰𝘳𝘱𝘰 𝘱𝘰𝘴𝘴𝘶𝘪́𝘥𝘰 𝘱𝘦𝘭𝘢 𝘱𝘢𝘭𝘢𝘷𝘳𝘢, 𝘰𝘴 𝘦𝘱𝘪𝘴𝘰́𝘥𝘪𝘰𝘴 𝘦 𝘳𝘦𝘧𝘭𝘦𝘹𝘰̃𝘦𝘴 𝘮𝘢𝘪𝘴 𝘦𝘴𝘵𝘳𝘢𝘮𝘣𝘰́𝘭𝘪𝘤𝘰𝘴 𝘦 𝘥𝘰𝘭𝘰𝘳𝘰𝘴𝘰𝘴 𝘥𝘦 𝘶𝘮𝘢 𝘷𝘪𝘥𝘢, 𝘵𝘦𝘤𝘦𝘯𝘥𝘰 𝘶𝘮𝘢 𝘵𝘦𝘪𝘢 𝘥𝘦 𝘢𝘳𝘢𝘯𝘩𝘢 𝘪𝘯𝘷𝘪𝘴𝘪́𝘷𝘦𝘭 𝘤𝘰𝘮 𝘰𝘴 𝘦𝘴𝘱𝘦𝘵𝘢𝘥𝘰𝘳𝘦𝘴, 𝘲𝘶𝘦 𝘴𝘦 𝘷𝘦̂𝘮 𝘢𝘳𝘳𝘢𝘴𝘵𝘢𝘥𝘰𝘴 𝘯𝘶𝘮 𝘳𝘦𝘭𝘢𝘵𝘰 𝘲𝘶𝘦 𝘰𝘴 𝘧𝘢𝘻 𝘳𝘪𝘳 𝘱𝘢𝘳𝘢, 𝘥𝘦 𝘴𝘦𝘨𝘶𝘪𝘥𝘢, 𝘴𝘦 𝘴𝘦𝘯𝘵𝘪𝘳𝘦𝘮 𝘦𝘴𝘵𝘳𝘢𝘯𝘩𝘰𝘴 𝘦 𝘥𝘦𝘴𝘤𝘰𝘯𝘧𝘰𝘳𝘵𝘢́𝘷𝘦𝘪𝘴 𝘯𝘦𝘴𝘴𝘢 𝘨𝘢𝘳𝘨𝘢𝘭𝘩𝘢𝘥𝘢, 𝘭𝘦𝘷𝘢𝘯𝘥𝘰-𝘰𝘴 𝘢 𝘳𝘦𝘷𝘦𝘳 𝘢𝘴 𝘴𝘶𝘢𝘴 𝘱𝘳𝘰́𝘱𝘳𝘪𝘢𝘴 𝘷𝘪𝘰𝘭𝘦̂𝘯𝘤𝘪𝘢𝘴 𝘦 𝘥𝘪𝘷𝘦𝘳𝘴𝘢𝘴 𝘷𝘪𝘷𝘦̂𝘯𝘤𝘪𝘢𝘴, 𝘵𝘰𝘳𝘯𝘢𝘯𝘥𝘰 𝘷𝘪𝘴𝘪́𝘷𝘦𝘭 𝘢 𝘦𝘴𝘵𝘳𝘶𝘵𝘶𝘳𝘢 𝘥𝘦 𝘶𝘮 𝘴𝘪𝘴𝘵𝘦𝘮𝘢 𝘲𝘶𝘦 𝘯𝘰𝘴 𝘢𝘨𝘳𝘪𝘥𝘦, 𝘯𝘰𝘴 𝘥𝘦𝘴𝘤𝘰𝘯𝘤𝘦𝘳𝘵𝘢, 𝘯𝘰𝘴 𝘷𝘪𝘰𝘭𝘢, 𝘯𝘰𝘴 𝘦𝘯𝘭𝘰𝘶𝘲𝘶𝘦𝘤𝘦, 𝘯𝘰𝘴 𝘪𝘯𝘷𝘪𝘴𝘪𝘣𝘪𝘭𝘪𝘻𝘢 𝘰𝘶 𝘯𝘰𝘴 𝘲𝘶𝘦𝘴𝘵𝘪𝘰𝘯𝘢 𝘤𝘰𝘯𝘴𝘵𝘢𝘯𝘵𝘦𝘮𝘦𝘯𝘵𝘦, 𝘢 𝘵𝘰𝘥𝘢𝘴 𝘢𝘴 𝘱𝘦𝘴𝘴𝘰𝘢𝘴 𝘲𝘶𝘦 𝘴𝘰𝘮𝘰𝘴 𝘵𝘦𝘴𝘵𝘦𝘮𝘶𝘯𝘩𝘢𝘴 𝘥𝘦𝘴𝘵𝘦 𝘳𝘦𝘭𝘢𝘵𝘰.

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